\u00dcnl\u00fc s\u00fcrrealist ressam Ren\u00e9 Magritte, 21 Kas\u0131m 1898\u2019de Bel\u00e7ika Lessines\u2019te; terzi L\u00e8opold Magritte ve kad\u0131n \u015fapkac\u0131s\u0131 Adeline Magritte’in en k\u00fc\u00e7\u00fck \u00e7ocuklar\u0131 olarak d\u00fcnyaya geldi. 1910 y\u0131l\u0131nda \u00e7izim dersleri almaya ba\u015flad\u0131.<\/p>\n\n\n\n
1912 y\u0131l\u0131nda annesi, Sambre Nehri\u2019ne atlayarak intihar etti. Magritte, annesinin sudan \u00e7\u0131kar\u0131l\u0131\u015f\u0131na \u015fahit oldu. <\/p>\n\n\n\n
Annesinin cesedinin suyun \u00fczerinde y\u00fcz\u00fc\u015f\u00fcn\u00fcn, elbisesinin kafas\u0131n\u0131 \u00f6rtmesinin, resimlerinde s\u0131k\u00e7a y\u00fcz\u00fc \u00f6rt\u00fcl\u00fc fig\u00fcrler ve nehir tasvirleri kullanmas\u0131na neden oldu\u011fu ve 1927-1928 y\u0131llar\u0131nda \u00e7izdi\u011fi Les Amants serisine ilham kayna\u011f\u0131 oldu\u011fu s\u00f6ylendi. Magritte, annesinin \u00f6l\u00fcm\u00fc ile ili\u015fkilendirilen bu yorumlar\u0131 reddetti. <\/p>\n\n\n\n
Sanat e\u011fitimine 1917-1918 y\u0131llar\u0131 aras\u0131nda Br\u00fcksel’deki Acad\u00e9mie Royale des Beaux-Arts\u2019da ( Br\u00fcksel G\u00fczel Sanatlar Akademisi) devam etti. 1922 y\u0131l\u0131nda, 1913’te tan\u0131\u015ft\u0131\u011f\u0131 Georgette Berger ile evlendi. <\/p>\n\n\n\n
1926 y\u0131l\u0131nda Br\u00fcksel’deki Galerie la Centaure ile (tam zamanl\u0131 olarak \u00e7izim yapmas\u0131na olanak sa\u011flayan) bir anla\u015fma imzalayana kadar, \u00f6nce bir duvar ka\u011f\u0131d\u0131 fabrikas\u0131nda \u00e7al\u0131\u015ft\u0131, sonra da afi\u015f ve reklam tasar\u0131mc\u0131l\u0131\u011f\u0131 yapt\u0131. <\/p>\n\n\n\n
Zaman\u0131n\u0131n tamam\u0131n\u0131 resim yapmaya ay\u0131rd\u0131\u011f\u0131 1926 y\u0131l\u0131nda profesyonelli\u011fini de art\u0131rd\u0131. Resimlerinde nesneler \u00fczerinde yapt\u0131\u011f\u0131 soyutlama ve sadele\u015ftirmelerin yerini titiz bir detayc\u0131l\u0131k ald\u0131. <\/p>\n\n\n\n
Nesneleri izleyenin al\u0131\u015f\u0131k olmad\u0131\u011f\u0131 konumlarda resmederek ger\u00e7ek d\u00fcnyaya meydan okuyan sanat\u00e7\u0131n\u0131n eserlerindeki bu de\u011fi\u015fimi yans\u0131tan ilk \u00e7al\u0131\u015fmalardan biri Nocturne isimli tablosu oldu.<\/p>\n\n\n\n
Onu, 1926 y\u0131l\u0131na tarihlenen M\u00fcnzevi Yolcunun D\u00fc\u015f\u00fcnceleri, Suikast Tehdidi ve ilk ger\u00e7ek\u00fcst\u00fc \u00e7al\u0131\u015fmas\u0131 olarak kabul edilen Kay\u0131p Jokey (Le Jockey Perdu) izledi.<\/strong><\/p>\n\n\n\n 1927’de ilk sergisini Br\u00fcksel’de a\u00e7t\u0131. Bu sergisi hakk\u0131nda ald\u0131\u011f\u0131 ele\u015ftirileri kald\u0131ramayan Magritte, ba\u015far\u0131s\u0131zl\u0131\u011f\u0131n getirdi\u011fi depresyon sebebiyle Paris’e ta\u015f\u0131nd\u0131. Paris’te Andr\u00e9 Breton ile arkada\u015f oldu ve ger\u00e7ek\u00fcst\u00fcc\u00fclerin aras\u0131na girdi.<\/p>\n\n\n\n I. D\u00fcnya Sava\u015f\u0131\u2019nda ya\u015fanan felaketlere kar\u015f\u0131 bir ayaklanma olarak ortaya \u00e7\u0131kan ger\u00e7ek\u00fcst\u00fcc\u00fcl\u00fck ak\u0131m\u0131 sert ve sars\u0131c\u0131 bir dili benimsemekte; estetizm ve g\u00fczel resim anlay\u0131\u015f\u0131n\u0131 kabul etmemektedir. Ren\u00e9 Magritte ger\u00e7ek\u00fcst\u00fcc\u00fcl\u00fc\u011fe getirdi\u011fi farkl\u0131 bak\u0131\u015f a\u00e7\u0131s\u0131n\u0131, kulland\u0131\u011f\u0131 \u00fcslup zenginli\u011fiyle \u00e7e\u015fitlendirdi. <\/p>\n\n\n\n Ger\u00e7ek\u00fcst\u00fcc\u00fclerin bilin\u00e7d\u0131\u015f\u0131na b\u0131rak\u0131lm\u0131\u015f yakla\u015f\u0131mlar\u0131na kar\u015f\u0131l\u0131k; Magritte\u2019in eserlerinde ak\u0131lc\u0131 bir mant\u0131kla hareket etti\u011fi ve felsefeye olan yak\u0131nl\u0131\u011f\u0131n\u0131n etkileri g\u00f6r\u00fcl\u00fcr. Hegel, Martin Heidegger, Jean-Paul Sartre ve Michel Foucault gibi filozoflar\u0131n metinlerini ve kitaplar\u0131n\u0131 bol bol okudu\u011fu ve sanat\u0131nda da bu d\u00fc\u015f\u00fcncelere yer verdi\u011fi g\u00f6r\u00fclmektedir.<\/p>\n\n\n\n \u0130mgelerin \u0130haneti (La trahison des Images)(1928-1929) isimli \u00e7al\u0131\u015fmas\u0131 objelerin g\u00f6r\u00fcnd\u00fcklerinin d\u0131\u015f\u0131ndaki anlat\u0131msal kullan\u0131m\u0131na \u00f6rnektir. Bu resimde piponun hemen alt\u0131na yazd\u0131\u011f\u0131 \u201cBu bir pipo de\u011fildir” (Ceci n’est pas une pipe) c\u00fcmlesi ilk ba\u015fta bir \u00e7eli\u015fki gibi g\u00f6r\u00fcnse de esas\u0131nda do\u011frudur; resim bir pipo de\u011fil, piponun bir g\u00f6r\u00fcnt\u00fcs\u00fcd\u00fcr. (Frans\u0131z filozof ve ele\u015ftirmen Michel Foucault, kitab\u0131 \u201cBu bir pipo de\u011fildir\u201d\u2019de bu resmi ve onun yaratt\u0131\u011f\u0131 paradoksu anlat\u0131r.)<\/p>\n\n\n\n 15 A\u011fustos 1967’de pankreas kanserinden vefat eden Magritte, Br\u00fcksel’deki Schaarbeek Mezarl\u0131\u011f\u0131’na g\u00f6m\u00fcld\u00fc.<\/p>\n\n\n\n Resimleri Amerika Birle\u015fik Devletleri’nde ilk olarak 1936 y\u0131l\u0131nda New York’ta sergilendi. 1965’te Modern Sanat M\u00fczesi’nde, 1992’de Metropolitan Museum of Art’ta iki sergisi daha ger\u00e7ekle\u015fti.<\/p>\n\n\n\n 1960’larda Magritte’in \u00e7al\u0131\u015fmalar\u0131na olan ilgi artt\u0131, resimlerinin reprod\u00fcksiyonlar\u0131 rock alb\u00fcm\u00fc kapaklar\u0131nda yer ald\u0131. <\/p>\n\n\n\n “Benim resimlerim hi\u00e7bir \u015fey anlatmayan g\u00f6rsel imgelerdir. Akla gizemi getirirler. Do\u011frusunu isterseniz, benim resimlerimi g\u00f6ren biri kendi kendine \u015fu basit soruyu sorar: ‘Bunun manas\u0131 ne?’ O resmin bir manas\u0131 yoktur. \u00c7\u00fcnk\u00fc zaten gizem de asl\u0131nda hi\u00e7bir \u015feydir, bilinmeyendir.”<\/p>\n\n\n\n Ren\u00e9 Magritte<\/p>\n","protected":false},"excerpt":{"rendered":" \u00dcnl\u00fc s\u00fcrrealist ressam Ren\u00e9 Magritte, 21 Kas\u0131m 1898\u2019de Bel\u00e7ika Lessines\u2019te; terzi L\u00e8opold Magritte ve kad\u0131n \u015fapkac\u0131s\u0131 Adeline Magritte’in en k\u00fc\u00e7\u00fck \u00e7ocuklar\u0131 olarak d\u00fcnyaya geldi. 1910 “Ren\u00e9 Magritte (1898-1967)”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":2032,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_vp_format_video_url":"","_vp_image_focal_point":[]},"categories":[27],"tags":[86,51,87],"_links":{"self":[{"href":"http:\/\/www.lavidanismanlik.com.tr\/index.php?rest_route=\/wp\/v2\/posts\/2031"}],"collection":[{"href":"http:\/\/www.lavidanismanlik.com.tr\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.lavidanismanlik.com.tr\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.lavidanismanlik.com.tr\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.lavidanismanlik.com.tr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2031"}],"version-history":[{"count":2,"href":"http:\/\/www.lavidanismanlik.com.tr\/index.php?rest_route=\/wp\/v2\/posts\/2031\/revisions"}],"predecessor-version":[{"id":2034,"href":"http:\/\/www.lavidanismanlik.com.tr\/index.php?rest_route=\/wp\/v2\/posts\/2031\/revisions\/2034"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/www.lavidanismanlik.com.tr\/index.php?rest_route=\/wp\/v2\/media\/2032"}],"wp:attachment":[{"href":"http:\/\/www.lavidanismanlik.com.tr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2031"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.lavidanismanlik.com.tr\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2031"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.lavidanismanlik.com.tr\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2031"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}