{"id":1882,"date":"2021-03-08T14:33:56","date_gmt":"2021-03-08T11:33:56","guid":{"rendered":"http:\/\/www.lavidanismanlik.com.tr\/?p=1882"},"modified":"2021-03-08T14:33:56","modified_gmt":"2021-03-08T11:33:56","slug":"camille-claudel-1864-1943","status":"publish","type":"post","link":"http:\/\/www.lavidanismanlik.com.tr\/?p=1882","title":{"rendered":"Camille Claudel (1864-1943)"},"content":{"rendered":"\n<p>Frans\u0131z heykelt\u0131ra\u015f Camille Claudel, 1864 y\u0131l\u0131nda Kuzey Fransa\u2019da, ailenin ikinci \u00e7ocu\u011fu olarak d\u00fcnyaya geldi. Camille annesi ve karde\u015fleriyle birlikte, 1881&#8217;de be\u015finci kez ta\u015f\u0131narak, Paris&#8217;in Montparnasse b\u00f6lgesine yerle\u015fti.<\/p>\n\n\n\n<p>\u00c7ocuklu\u011fundan beri ta\u015f ve \u00e7amur gibi malzemelere ilgisi olan Camille, 1882 y\u0131l\u0131nda, o d\u00f6nemde Paris G\u00fczel Sanatlar Akademisi\u2019nde kad\u0131nlar\u0131n e\u011fitim g\u00f6rmesi m\u00fcmk\u00fcn olmad\u0131\u011f\u0131 i\u00e7in, \u00e7o\u011fu \u0130ngiliz bir grup gen\u00e7 kad\u0131nla bir at\u00f6lye kiralad\u0131.&nbsp;<\/p>\n\n\n\n<p>Bu at\u00f6lyelerde \u00fcnl\u00fc sanat\u00e7\u0131lar gen\u00e7 kad\u0131nlara sanat e\u011fitimi veriyordu. Camille, 1883 y\u0131l\u0131nda bu gruba heykel e\u011fitimi veren Auguste Rodin&#8217;le tan\u0131\u015ft\u0131. 1884&#8217;te Rodin&#8217;in at\u00f6lyesinde \u00e7al\u0131\u015fmaya ba\u015flad\u0131 ve onun ilham kayna\u011f\u0131, modeli, arkada\u015f\u0131 ve bir s\u00fcre sonra sevgilisi oldu.<\/p>\n\n\n\n<p>42 ya\u015f\u0131ndaki heykelt\u0131ra\u015f Auguste Rodin&#8217;le Camille Claudel&#8217;in ili\u015fkisi ba\u015flad\u0131\u011f\u0131nda Claudel 19 ya\u015f\u0131ndayd\u0131. Ayr\u0131ca Camille ile tan\u0131\u015ft\u0131\u011f\u0131nda Rodin&#8217;in 20 y\u0131ld\u0131r s\u00fcren bir ili\u015fkisi vard\u0131. Claudel, Rodin&#8217;e kar\u015f\u0131 b\u00fcy\u00fck bir hayranl\u0131k ve a\u015fk besliyordu. Rodin&#8217;in de ona a\u015f\u0131kt\u0131 fakat ortada Rose vard\u0131.<\/p>\n\n\n\n<p>Bir taraftan ili\u015fkileri devam ederken bir taraftan da Camille, Rodin\u2019in asistanl\u0131\u011f\u0131n\u0131 yapmaya devam etti. Sanat camias\u0131nda Rodin\u2019in eserlerindeki Camille esintileri g\u00f6ze bat\u0131yordu. Rodin\u2019in eserleri Camille \u00f6ncesi ve Camille sonras\u0131 olarak adland\u0131r\u0131lmaya ba\u015flarken ikilinin aras\u0131nda da bir rekabet ba\u015flad\u0131.&nbsp;<\/p>\n\n\n\n<p>Aralar\u0131ndaki ili\u015fki y\u0131llar ge\u00e7tik\u00e7e daha sorunlu hale geldi. Camille, Rodin\u2019i defalarca terk etti ancak tekrar bar\u0131\u015ft\u0131lar. 1889 y\u0131l\u0131na kadar b\u00f6yle devam etti. 1889\u2019da tamamen ayr\u0131ld\u0131lar. Camille, sanat hayat\u0131n\u0131n en iyi eserlerini bu ayr\u0131l\u0131ktan sonra yapt\u0131 ancak sanat \u00e7evreleri taraf\u0131ndan kabul g\u00f6rmedi.<\/p>\n\n\n\n<p>1903 y\u0131l\u0131n\u0131n ba\u015flar\u0131nda i\u015flerini sergileyen&nbsp; Claudel&#8217;in eserlerinin geli\u015fimi&nbsp; Rodin&#8217;e ba\u011flansa da, sanat yetene\u011finin e\u015fsizli\u011fini hatta onun bir dahi oldu\u011funu s\u00f6yleyen sanat tarih\u00e7ileri \u00e7o\u011funluktad\u0131r. \u0130lk i\u015flerinde Rodin&#8217;in etkisi g\u00f6r\u00fcl\u00fcr ancak \u00f6zellikle \u00fcnl\u00fc heykeli Bronze Waltz (1893) bunun d\u0131\u015f\u0131nda de\u011ferlendirilir.&nbsp;<\/p>\n\n\n\n<p>1905 y\u0131l\u0131nda Claudel&#8217;de ak\u0131l hastal\u0131\u011f\u0131 ba\u015flad\u0131. Paranoya belirtileri g\u00f6stermeye ba\u015flayan Claudel Rodin&#8217;i, fikirlerini \u00e7almakla ve kendisini \u00f6ld\u00fcrmeyi planlamakla su\u00e7lad\u0131. Heykellerinin bir\u00e7o\u011funu k\u0131rd\u0131. Yakla\u015f\u0131k 90 adet heykelini, eskizlerini ve \u00e7izimlerini yok etti.&nbsp;<\/p>\n\n\n\n<p>Ailesi Rodin\u2019le olan ili\u015fkisi y\u00fcz\u00fcnden kendisiyle g\u00f6r\u00fc\u015fmeyen Claudel, kendisiyle ilgilenen erkek karde\u015finin \u00c7in\u2019e gitmesi \u00fczerine iyice yaln\u0131zla\u015ft\u0131 ve at\u00f6lyesine kapand\u0131. Kendisini maddi ve manevi olarak destekleyen babas\u0131 2 mart 1913&#8217;te \u00f6ld\u00fc, Camille&#8217;in bundan haberi olmad\u0131.&nbsp;<\/p>\n\n\n\n<p>10 Mart&#8217;ta karde\u015finin giri\u015fimiyle bir ak\u0131l hastanesine yat\u0131r\u0131ld\u0131. Doktorlar\u0131 aileye Camille ile ilgili s\u00fcrekli bilgi verse de annesi ilgilenmeyi kabul etmedi. Karde\u015fi ise birka\u00e7 y\u0131lda bir ziyaretine gidiyordu. Camille Claudel, 30 y\u0131l ak\u0131l hastanesinde kald\u0131ktan sonra 19 Ekim 1943&#8217;te \u00f6ld\u00fc ve Monfavet mezarl\u0131\u011f\u0131na g\u00f6m\u00fcld\u00fc.<\/p>\n\n\n\n<p>&#8220;<em>Bir avu\u00e7 topra\u011f\u0131 yo\u011furmay\u0131 bile bilmeyenler.<\/em><\/p>\n\n\n\n<p><em>Duygusuz yavan insanlar.<\/em><\/p>\n\n\n\n<p><em>Bu benim ruhum en kutsal varl\u0131\u011f\u0131m&#8230;<\/em><\/p>\n\n\n\n<p><em>Bunlar \u00e7al\u0131\u015fma saatleri. Ruhumun yand\u0131\u011f\u0131 saatler.<\/em><\/p>\n\n\n\n<p><em>Siz yiyip i\u00e7erken, dalga ge\u00e7erken, oburca t\u0131k\u0131n\u0131rken, ben heykelimle yaln\u0131zd\u0131m..<\/em><\/p>\n\n\n\n<p><em>Ve yava\u015f yava\u015f akan benim hayat\u0131md\u0131..<\/em><\/p>\n\n\n\n<p><em>Bu topra\u011f\u0131n derinliklerine kan\u0131m\u0131 ak\u0131t\u0131yordum&#8230;<\/em>&#8220;<\/p>\n\n\n\n<p><em>Camille Claudel<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Frans\u0131z heykelt\u0131ra\u015f Camille Claudel, 1864 y\u0131l\u0131nda Kuzey Fransa\u2019da, ailenin ikinci \u00e7ocu\u011fu olarak d\u00fcnyaya geldi. Camille annesi ve karde\u015fleriyle birlikte, 1881&#8217;de be\u015finci kez ta\u015f\u0131narak, Paris&#8217;in Montparnasse<a href=\"http:\/\/www.lavidanismanlik.com.tr\/?p=1882\" class=\"more-link\"><span class=\"screen-reader-text\"> &#8220;Camille Claudel (1864-1943)&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":1883,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_vp_format_video_url":"","_vp_image_focal_point":[]},"categories":[27],"tags":[],"_links":{"self":[{"href":"http:\/\/www.lavidanismanlik.com.tr\/index.php?rest_route=\/wp\/v2\/posts\/1882"}],"collection":[{"href":"http:\/\/www.lavidanismanlik.com.tr\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.lavidanismanlik.com.tr\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.lavidanismanlik.com.tr\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.lavidanismanlik.com.tr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1882"}],"version-history":[{"count":1,"href":"http:\/\/www.lavidanismanlik.com.tr\/index.php?rest_route=\/wp\/v2\/posts\/1882\/revisions"}],"predecessor-version":[{"id":1884,"href":"http:\/\/www.lavidanismanlik.com.tr\/index.php?rest_route=\/wp\/v2\/posts\/1882\/revisions\/1884"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/www.lavidanismanlik.com.tr\/index.php?rest_route=\/wp\/v2\/media\/1883"}],"wp:attachment":[{"href":"http:\/\/www.lavidanismanlik.com.tr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1882"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.lavidanismanlik.com.tr\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1882"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.lavidanismanlik.com.tr\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1882"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}